We’re preparing to paint the interior walls and I’m researching colour and colour theory. Here are notes ‘from the field’.
Colour in a home is fundamental. It sets the tone and the feel of each room. Colour provides the undertone and ties all the elements of the space together.
Getting Started
- create a list of key elements in the room- flooring, wainscoting, rugs, large furniture.
- reflect on the purpose of the room and how you would like to feel in it; retreating and calm? energized and lively?
- list colours that you are naturally attracted to- warms, nuetrals, cools?
- gather colour swatches and images from books, magazines and websites. list places and things that are inspiring to you- mountains, beaches, flowers, Buddhism.
Palette Creation
- after collecting ideas , examine them. notice colour preferences and design elements. play with them and group them together.
IMPORTANT:
- bring colour samples together in the actual room where they will be used (have you ever had the experience of loving a colour at the store , then feeling disappointed when it’s on the wall?) This allows you to consider your choices with the existing elements and your lighting.
The Dynamics of Light and Colour
- Light quality (direct sunlight, indirect sunlight, artificial light) changes your perception of a colour. The colours most affected by light are ; tans, taupe’s, greys, greyed blues, mauve’s, lilacs, and greyed yellow greens.
THE EFFECTS OF THE THREE TYPES OF LIGHT
- Direct Sunlight: Traditionally considered to be ideal, natural sunlight maintains a neutral balance between the two ends of the light spectrum- cool (bluish) and warm (yellowish). Light from a southern exposure is most intense, while light from the north is most cool.
- Indirect Sunlight: Natural light is changeable throughout the day- sunrise to sunset- and through the seasons. The colours in a room shift depending on the light movement.
- Artificial Light: Incandescent and Halogen lights warm a room by enhancing the red and yellow cast. Fluorescent lights have a cooling effect because they enhance blues and greens while muting reds and yellows.
Warm Colours -reds, oranges, yellows,
can advance or condense a room.
The theme is intimate and cozy.
Cool Colours- greens, blues, violets,
can recede or expand a room.
The theme is calming and open.
Colour Wheel
You (or we) probably wouldn’t choose the primary colours in a colour wheel to paint the walls of a mandala , but it’s useful to understand the principles of the colour wheel in order to create a colour scheme that will give the desired look and feel of the space.
The 12 colours of a standard wheel are divided into 3 categories:
A Useful Colour Wheel
Primary Colours– pure red, blue and yellow.
Secondary Colours– a combination of two primary colours- orange (red + yellow), green (yellow + blue), and violet (blue + red).
Tertiary Colours– combination of a primary and a secondary colour, i.e. red-orange, yellow-orange,yellow-green,blue-green,blue-violet, and red-violet.
Colour Schemes
Helpful guidelines that you can use to create the look and feel that you desire for your home, colour schemes are combinations or pairings of colours.
Monochromatic: A colour scheme that uses tints and shades of the same colour. It can be subtle when using a soft colour, dramatic when opting for a rich colour.
Complementary: A colour scheme that includes two colours opposite each other on the colour wheel.It can be pleasing to the eye.
Analogous: A colour scheme that uses adjacent colours on the colour wheel. Tip: It creates a pleasing palette to place one colour more prominently than the other two.
Triad: This colour scheme includes any three colours equally spaced on the colour wheel. Tip: Use colours in varied proportions-one dominant colour, a secondary hue, than an accent colour for pop. This is a dramatic choice.
Nature’s colour tones enhance the natural shape of the space.
Tip: Colors should ideally flow from room to room. Adjacent rooms can often be seen from open doors, so the color schemes should blend.
I’m enjoying learning , thinking about and playing with colour ideas for our Mandala. Next, I’ll post about options for type of finish and -of course- some options for non-VOC and natural paints.
I’d love to hear about your experiences with colour , painting, natural paints , etc.